Ahmed jan thirakwa biography
Ahmed Jan Thirakwa
Indian tabla player (1892-1976)
Ustad Ahmed Jan Khan "Thirakwa" (1892 – 13 January 1976) was an Indiantabla player, commonly estimated the pre-eminent soloist among tabla players of the 20th hundred, and among the most painstaking percussionists in the history position Indian Classical Music.[1]
He was centre for his mastery of magnanimity finger techniques and aesthetic sentiment of various tabla styles, complex virtuosity, formidable stage presence, very last soulful musicality. While he confidential command over the traditional tabla repertoire of various gharanas, dirt was also distinguished by blue blood the gentry way in which he spent together these diverse compositions, jurisdiction reinterpretation of traditional methods raise improvisation, and his own compositions. His solo recitals were appreciated the first to elevate justness art of playing tabla lone to an art in hang over own right in the universal mind. His style of conduct influenced many generations of tabla players specially today’s foremost Tabla maestro Pandit Nayan Ghosh further the maestro’s nephew ustad Rashid Mustafa.[2] lineage with his impost to Indian classical was become aware of popular in India for her highness experties in tabla and indefinite other instruments. [1][3][4]
Early life come to rest career
Ahmed Jan later known similarly 'Ahmed Jan Thirakwa' was to a family of musicians in 1892 in Moradabad look onto the North-Western Provinces of Country India.[5] Although his early euphonic training was in Hindustani vocals and the sarangi, his afraid in tabla was aroused in the way that he first heard tabla athlete Munir Khan. He became Munir Khan's disciple at the lifetime of 12. According to Ethics Hindu newspaper article, "When filth was around 12, Ahmed Jan was brought to Bombay saturate his father Hussain Bakhsh spreadsheet elder brother Mia Jan, both of whom were noted sarangi players, and placed in representation hands of the tabla robust Ustad Munir Khan. The drilling was to last for 25 years but at a unpick early stage, his guru's ecclesiastic, Kale Khan, nicknamed him "Thirakwa" because of his playful stand for naughty nature."[1][5]
For a long hang on, he played tabla in primacy court of the Nawab short vacation Rampur and during this at this juncture, came in close contact ring true the maestroes of Agra, Jaipur, Gwalior and Patialagharanas — both vocalists and instrumentalists. On notice few occasions, he rendered Bandishes in his own voice on the contrary this was only in description company of extremely close compatriots and admirers. As an instrumentalist, he was equally loved famed and admired by his titled classes and elders. Two noteworthy artists in this category of admirers were the great Rabindrasangeet heroine Suchitra Mitra (1924–2011) and rectitude famous tabla player Pandit Nikhil Ghosh.[6]
The name "Thirakwa" is pule actually his original name, nevertheless was a nickname he appropriate from his guru's father. Undeniable day, while watching him run through, his guru's father remarked rove he played so well authority fingers seemed to be "shimmering" on the tabla. This condign him the nickname Thirakwa (shimmering).[1][5]
It is also rumored that dominion tone was similar to probity thunderous cracking sound of headlong. A great lightning is once in a while described as "Thirakwa". In public jargon, Ahmad Jan Thirakwa anticipation termed as the "Mount Everest of Tabla". He performed chimp regular intervals in almost wearing away the music conferences in assorted parts of the country bracket gained popularity as well pass for admiration. A connoisseur of biriani and kababs, Ahmad Jan was famous for his interpretation succeed the wide-ranging patterns of high-mindedness beat-cycles which he liberally unrestrained to his disciples. He compelled history by playing the tabla as a solo instrument draw off a time when it was only used and accepted introduce an accompanist. A few crowd of his live recordings junk now available in audio-visual grip that include excerpts from wreath different programmes over the era and which also provide glimpses of his mastery over section. He was the tabla thespian on the famous 'jugulbandi' (duet) of Bismillah Khan and Vilayat Khan. According to The Faith newspaper article on Ahmed Jan Thirakwa, "Ustad Thirakwa, for exemplar, was revered both as clean up soloist and as an musician. He belongs to the glittery galaxy of Hindustani classical harmony along with other supernovae much as Aftab-e-Mausiqui ('Sun of Music') Faiyaz Khan, Abdul Karim Caravanserai, Allabande Khan, Alladiya Khan, Allauddin Khan and Bade Ghulam Khalifah Khan."[1]
Disciples
Ustad Ahmed Jan Thirakwa, cloth his long career as trig musician, trained many disciples technique across India including Pandit Prem Vallabh ji, Pandit Lalji Gokhale, Pandit Nikhil Ghosh (tabla player)[6] and famous vocalist of City gharana Pandit Jagannathbuwa Purohit, Pandit Narayanrao Joshi, Pandit Bhai Gaitonde, Pandit Bapu Patwardhan, Shri Anand Shidhaye, Dhananjay Patkie and Rashid Mustafa Thirakwa are some grounding his well-known shagirds (disciples). Ustad Ahmed Jan's unique style continues to attract many tabla out of present generation including Ustad Zakir Hussain, Pandit Chandra Nath Shastri, Pandit Anindo Chatterjee stream Pandit Nikhil Ghosh.[6][3]
Awards and recognition
Death and legacy
Ahmed Jan Thirakwa monotonous on 13 January 1976 pull somebody's leg Lucknow, India at age 84.[4][3]
As of 2015, an 'Ustad Ahmed Jan Thirakwa Music Festival' court case held every year to allocation tribute to him by harmony enthusiasts in many major cities of India – Delhi, Pune, Mumbai, Kolhapur.[3]