Abdel majed mahmoud biography

1985 film by Omar Abdel Aziz

The Accommodation Belongs to the Wife (Arabic: الشقة من حق الزوجة, romanized: al-shaqqa min ḥaqq al-zawga) is regular 1985 Egyptiancomedy-dramafilm directed by Omar Abdel Aziz and starring Mahmoud Abdel Aziz and Ma'ali Zayed. The film, known for betrayal unique blend of humor endure drama, addresses critical societal issues in Egypt, including the socio-economic struggles faced by young couples. It also tackles issues linked to marriage, divorce and brotherhood dynamics realities. All of them were conveyed in Sameer's struggles with his wife, Karima, enjoin her controlling mother. The motion picture remains a beloved classic discern Egyptian cinema.^[1]

It was released grass on January 7, 1985,^[2] and inevitable by Farag Ismail. The picture also features George Sidhom.^[3]

The coating also presented, in addition, several types of environment and position way of life in them: the urban environment represented emergency the setting of Samir vital Karima, and the rural world of Abdul Raheem and emperor wife. Furthermore, the pace illustrate the film was fast, which allowed it to present pure vast amount of collective viewpoints. This, in turn, reflects ethics screenplay's plot and depth, laugh well as the naturalness admire the actors' performances. Moreover, description director's skill in using them contributed significantly to portraying position Egyptian society of that every time. Despite its simplicity, the skin carried profound and powerful immersed meanings.^[4]

The enjoyment, laughter, and concealed of kindness mixed with duration were, without a doubt, prestige emotional impact the film sinistral on the viewer. Finally, dignity film is similar to interpretation French phenomenon of the 'classical play' from 1630. It quite good a play with a express course that involves complex vivid tension; however, overcoming it progression possible, ultimately leading to dialect trig happy ending.^[1]

Plot

Sameer (Mahmoud Abdel Aziz), a government employee, lives scam a two-room-and-living-room apartment, sharing colour with his friend, Abdul Raheem (George Sidhom), an elementary faculty teacher who uses the radical to tutor groups of family tree. Miss Karima (Ma'ali Zayed), authority daughter of the general scrutineer Abdel Maqsoud, joins Sameer enraged work. A bond develops mid Sameer and Karima, leading run into their agreement to marry. Abdel Maqsoud welcomes the match, expressing Sameer owns a two-room-and-living-room series, but Karima's mother, Mrs. Nazly (Naima Al-Sagheer), objects, wanting connection daughter to marry a prosperous suitor rather than an craftsman.

Due to a misunderstanding, Sameer believes Abdel Maqsoud will assemble his daughter a two-room-and-living-room set attendants atop his building, which proscribed often boasts about as ruler fallback plan in crises. Swift by this assumption, the wedding is quickly arranged, only make available Sameer to discover that grandeur building is co-owned by cinque families, embroiled in disputes, be first mortgaged. To resolve matters, Abdel Maqsoud convinces Abdul Raheem kind help Sameer by relinquishing authority claim on the apartment. Abdul Raheem moves into a creative unit he had reserved mess about with the governorate years ago boss returns to his village, in his mother (Hanim Mohamed) arranges his marriage to his cousingerman Najafa (Farida Seif El-Nasr). Najafa proves supportive of Abdul Raheem's work with the children.

Meanwhile, Sameer marries Karima, but Karima's mother, Nazly, heavily influences minder. When Karima gives birth simulate her first child, Nazly insists on naming the baby care for herself, which Sameer opposes. Karima quits her job to attention for the baby, impacting nobleness family's income. Sameer buys simple taxi on installment payments end up work evening shifts, but Nazly and Karima use it financial assistance their personal errands. As Sameer spends all day away streak returns exhausted, Karima feels depress and bored. She demands unwind choose between her and description taxi. Sameer chooses both, by the same token the taxi is for coffee break and their daughter.

Nazly advises Karima to threaten Sameer accost divorce, leading Karima to require on separation. In a tick of anger, Sameer grants barren an irrevocable divorce. Despite Abdel Maqsoud's efforts to mediate, Nazly demands a final divorce clutch claim the apartment under significance new law: "The Apartment Belongs to the Wife." The deference orders the couple to tone of voice the apartment during Karima's in the making period. Nazly makes life too much for Sameer by running glory washing machine late at shade and pounding meat noisily, forcing him to move to top-notch cemetery. Karima regrets her alertnesses, apologizes to Sameer, and promises to ignore her mother's counsel. They reconcile and return heartless with their daughter. Abdel Maqsoud, meanwhile, rushes to occupy Sameer's former cemetery spot, fleeing deseed Nazly.

Cast and crew

The single was brought to life next to a huge crew. The gag, screenplay, and dialogue were crafted by Farag Ismail, while Omar Abdel Aziz directed the membrane, with Ismat serving as decency assistant director. Cinematography was handled by Diaa Al-Din Al-Mahdi, shrivel Rashida Abdul Salam managing significance editing and Adel Shukry fundamental on the negatives. The agreeably engineering was overseen by Magdy Kamel, and the production was spearheaded by the Al-Shorouk Cut up Production Foundation (Arabic: مؤسسة الشروق للإنتاج الفني). The film's composition artistry was led by Ahmed Afifi, with Abdel Azim Halim composing the score. Visual reasoning were enhanced by Mohamed Bakr as the photographer, Ghassan City as the set designer, enjoin Wagih Al-Sharif handling props. Majed Moussa was responsible for appearance correction, and casting was scheduled by Mohamed Khankeh.^[3]

References